Archive for the 'Business' Category

Kitchen La Bohème

My ever-evolving side project, my personal food blog Kitchen La Bohème, has a fresh new look. I’m always at my happiest when I’m preparing and photographing dishes for KLB! Tweaking the graphic elements and branding, and overseeing the project as it developed into the “Bohemian Kitchen” that I’d originally dreamed up has been an exciting process.

KLB is a source for Vegan and Vegetarian recipes and other food-related content, and a platform for inciting social change by showing how beautiful and delicious plant-based cuisine can be. Check out the full blog here!

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These Sweeties Have a Secret

The Sweeties photo shoot went wonderfully. Special thanks to photographer Nathan Sayers! Above is the promo ad to announce Sweeties’ launch at the Greenpoint Food Market on May 22. As part of the campaign, I’ve also designed a blog where you can follow along through the launch date and beyond to see what’s happening with the brand, and a Facebook fan page where you can interact with other fans and participate in a Guess the Secret discussion to win a complimentary mini Sweetie at the launch event. A full web site is currently under construction and won’t be revealed until after the Food Market launch, so you’ll have to be patient for that…

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Progress Report

This coming Tuesday I’ll be shooting for the Sweeties New York Pastry Co. project with photographer Nathan Sayers, whom I’ve shot with plenty of times while working as the Associate Art Director for Dance Spirit magazine over the years. We’ll be working in his studio on product shots for the web site as well as for an advertising campaign I’ve developed. Chat Plates from the MoMA Store are involved, but that’s all I can say for now…

Above is a screen shot of some of Nathan’s work and you can see more at www.nathansayers.com.

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Five Good Clients

“Bad clients lead to more bad clients… Doing good work for good clients will lead to more good clients!” — Michael Bierut


This morning I forced myself to get out-and-about very early for January’s CreativeMornings event hosted by Tina Roth Eisenberg, also know to bloggers and designers as Swissmiss, the “Swiss designer gone NYC”. Tina hosts the CreativeMornings breakfast lecture series each month right here in NYC but this month particularly interested me. The speaker was Michael Bierut, partner in Pentagram’s New York office.

Mr. Bierut gave an invigorating talk about clients. And we’re not just talking client horror stories, here. Today’s discussion touched on how clients can be the best part of the design process, what makes a client good or bad, how to effectively profile and work with clients, and finding the right designer/client fit. But given the current economic state and some very real issues I’ve been noticing, what really struck me about this point of discussion was the declaration that in order to do good work and continue getting the opportunity to do more good work, designers should only work on good projects with good clients.

As a freelancer who is fairly new on the scene, coming from a 9-5 full-time job, it is painfully obvious to me that right now many of the jobs I come across or am presented with are coming from a client who wants quality design work for their not-so-quality project from an educated graphic designer for one-third of that designer’s price. Because things are tough right now. I get it. But what most non-creative potential clients don’t seem to get is that this business of graphic design is our livelihood. Not only do we not want to spend our time doing bad work that will not represent us well in our portfolios; we especially don’t want to spend our time doing bad work for a fraction of the market value. And yet, given the economy and the current struggle to land any client, many designers may be considering taking on bad work for bad clients at whatever value!

Mr. Bierut advises against it. “Bad clients lead to more bad clients,” he says. “[And] doing good work for good clients will lead to more good clients!”

In other words, while it may be tempting to take on a crappy project for some extra cash, or even for a large paycheck, resist the urge. If you want to do good work and keep doing good work for the right kinds of clients, you need to avoid the crappy stuff — no matter what. There will never be an instance where a crappy job will lead to a good job. Crappy jobs only lead to more crappy jobs.

So it’s up to you: Do you want to be a designer who gets by doing crappy jobs, or do you want to be the kind of designer who is asked to speak at an event like CreativeMornings? The choice is yours. And I know the economy is making it difficult for us, but still: if you want to be doing good work, don’t succumb to the pressure to take on bad work just because work seems hard to come by right now. It will only hurt you in the long run.

“Five good clients,” says Mr. Bierut. All you need is five and you’ll be set for life. Do you have your five? If not, what are you waiting for? Go get them!

For more about CreativeMornings (which, by the way are free), visit creativemornings.com and for more about Tina Roth Eisenberg, visit swiss-miss.com. This month’s sponsors were Behance and Blurb, so a big Thank You goes out to them for helping to keep this event free for NYC’s graphic design community. For more on today’s speaker, Michael Bierut, and Pentagram, visit pentagram.com.

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Hyperfocus Favorite

Do you know about 8 Days a Week? This “premier event calendar for the New York City design community and all those who work, think and dream design 8 Days a Week” is a valuable tool for learning about upcoming events in one simple, easy to navigate spot. Valuable for all designers but especially for those in the NYC area who like to frequent local industry events. Bookmark it, if you haven’t already!

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Twitter Tips and Strategies for Beginners

So you’ve just started tweeting. Now what? The way I see it, Twitter is not simply a social networking web site — it’s a wonderful business tool for making connections, job seeking, marketing and broadcasting. Making Twitter work for you in these areas is not hard, and if you want to be smart, there are things you can do to quickly increase your visibility and attract quality followers who are interested in what you have to say and share an industry connection with you, and keep yourself off of sites like this one. Here are some tips and strategies:

I know it’s tempting when you’re just starting out, to only follow personal friends and maybe a small group of public figures of interest to you. And while it’s true that this will gain you a small initial following (of course your friends are going to follow you back), it’s not going to do much in giving you a broad forum for getting your message across. So what do you do? How do you get new followers?

I think the most important thing is to first begin tweeting. Don’t leave an empty or sparse feed for potential followers to see. Think about what you look for in someone to follow. Do they tweet often? Is what they have to say interesting? Do they share valuable articles and advice? Can they be funny at times? No one wants to follow a boring robot. And it may be hard to hear, but no one cares what you ate for dinner — unless it was a zebra steak while riding bareback on an elephant through the Serengeti. Think about your target audience and fill up your Twitter feed with tweets that will be of some value to them.

Now that you’ve filled up your feed with interesting tweets that pertain to your target audience and have also sprinkled in some humorous and personal thoughts, it’s time to attract more followers. Contrary to what many people think, it’s important to be proactive in earning followers at first. You can’t expect to sit around and tweet and miraculously garner a massive following. You and I know that everything you say is mesmerizing and inherently brilliant. But the problem is that no one else cares. Why? Because nobody knows who you are. Unless you’re John Mayer or someone who is well-known within your field, no one really has any idea who you are. So why would they seek you out and follow you? You have to go get them!

Start by making a list of companies and professionals in your industry who are of interest to you and whom you’d like to connect with if you haven’t been able to already. Most people and companies are using Twitter and if you find them and follow them, many will return the favor and follow you back.

Another strategy is to make a list of keywords that relate to your areas of interest and input them into Twitter’s internal search engine to find people you wish to follow. Again, many people will follow you back and even if they don’t initially, there are ways to sway them in the future that I’ll share with you next.

In order to get and keep valuable followers, your profile must contain your name or company’s name, a location and a web address, a photo and a custom background. Your feed must be interesting and it must be obvious that you are a normal human being who is actively connecting with others and utilizing Twitter in an appropriate way — not some robot who is only interested in spewing out marketing crap about his own brand to anyone within range.

And therein lies the easiest way to gain followers who initially did not follow you back. Interact with them! Retweet their most insightful messages and reply to them with an interesting question or remark. They may have just overlooked you the first time, and interacting with them periodically is a great way to earn their respect and get a follow-back. And most important: other potential followers will see that you are interacting with others and know that you’re a real person. But pay attention to detail when retweeting and replying — make sure you have the person’s @ Twitter name correct and also the original information you are retweeting. Attention to detail says a lot about you as a person and/or potential employee or business partner.

Once you’ve managed to get your first hundred or so followers, the rest will start to come on their own if you maintain a quality feed. Don’t be afraid to share stories and articles that are not written by you or are not from your personal blog or web site. Sharing is one of the most attractive things about the Twitter community, and no one wants to follow the guy who is clearly only interested in self-promotion. That way, when you do share your personal work, people will be more inclined to want to take a look, because you haven’t been in their face about it with every tweet.

Twitter is simple to use and fun, and it doesn’t take a rocket scientist’s I.Q. to figure out that making it work for you can be one of the most valuable marketing weapons in your arsenal.

 

EDIT
Another tip: Don’t protect your tweets! People generally want to see what you’re tweeting about before making the decision to follow you back or not. Also, you want to make it as easy for them as possible to click and follow you back.

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No Spec!

As a professional in the graphic design field with eight years of experience as a staff designer, who has now decided to go it alone, one thing I find myself constantly putting a large amount of effort into is self-promotion: trying to win new clients. Online social media/networking—among other methods—has been effective, if not invaluable for this. But social networking is not exactly a perfect solution to bringing in projects for the design professional who places a high value on his or her time and work—i.e. the designer who absolutely refuses to do work on spec.

Web sites like 99 Designs and other crowdsourcing sites, where the client posts a contest that designers can enter by working up a design and submitting it, have been kicking around for a while now and offer both designers and companies an interesting road to go down in terms of finding projects/designers for hire. I say “interesting” because, while not a terrible idea, I don’t approve. True, it may work for some, but I stand by my opinion that these contests are doing a disservice to both clients and designers. The work tends to suffer when a designer is doing it purely speculatively. To the contest winner goes the compensation, but many of the clients posting design contests find themselves unable to choose a winner—everyone loses.

No one wants to do work for free. Would we expect a contractor to come into our home and paint our walls prior to our decision to actually hire him or her? “Oh gee, this looks great but it’s just not quite what I had in mind. I’m sorry, I’m not going to hire you.” Of course not. We don’t expect anyone to do a job properly for us without first being guaranteed compensation unless it’s a pre-determined pro bono project. So why is the graphic design professional the exception?

NO!SPEC is a fabulous resource for other design professionals like myself who are angered by the seemingly constant expectation of work to be done speculatively in our field. But it’s also a great resource for clients who might want to understand why this practice isn’t favorable and doesn’t work. You can sign the NO!SPEC Petition here.

And in case you were wondering? Here is AIGA’s official position on spec work.

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